All of Her 塗地

All of Her, 2019
Soap, chalk on the ground
Dimension variable
[Photo courtesy of the artist and Kiyohito Mikami]








The body is torn into fragments; living among others may be a way to learn from one another, to recognize the scattered shards of our own division.

When embracing, the bodies draw near, and one imagines each fragment tumbling in the hands. Hair, fingers, the bend of an arm, flakes of skin, scars, scents—all dissolve along the frontline of the skin.

One day, life is witnessed dwelling within, gestating; then birth; then growth. Her flesh seems to be shattered even further, strewn across, as if the whole mass has become a heap of minced flesh, mingled together.


身體是四分五裂的,人與人共處,或許是藉以彼此學習來認得各自分裂的碎塊。

擁抱的時候軀體湊近,想像每一片碎塊在手中翻滾。毛髮、指頭、臂彎、皮屑、疤痕、氣味,在肌膚的前線溶解。

某天,見證生命寄居體內孕育;出生;然後成長。她的肉身似被弄得更粉碎,肝腦塗地,而一夥兒仿似化為一堆碎肉,摻雜在一起。