Right Side of High Bridge 高橋的右邊

Right Side of High Bridge, 2017
Three-channel video, bed, sofa, stand lamp, inkjet on paper
Dimension variable

site: http://vimeo.com/210527992, 2min25s











While you see borders of norms, it becomes natural existing among norms and freedom. Occasionally, you even lose ability to handle norms. To break through standards, are there still aesthetics in the absence of criteria? I ceaselessly speculate and observe various models of modern civilized creation and meanings, especially urban planning and rhythm. Compared with composition of cities and home, dazzling types of daily products extend from shops to living inside interior space. Functions connect convenient and instant desire filling up life without respite.

Here the construction, public or private, every machine percusses the Earth’s surface like piercing skin to apply therapy of power. Values being advocated by norms turn into mainstream. What do they preserve? To stand on the bridge filming familiar, spread, ruined yet constructing scenes, a person standing still on a buzzing bridge will be stared; while placing a tripod with a video camera at the same time, passersby will follow direction of filming to look or even stay for a while.

Knock on it; take a leap; there are also silhouettes and puncta on the bridge.


得見規範的邊界,遊走規範與自主間變得自然,偶爾甚或失去拿捏規範的能力。破除指標,處於沒有憑依的準則裡還有美學嗎?一再思辨與觀察現代文明裡諸般創造意涵的典範,尤是城市建設的佈局與節奏。城市相對家居空間佈置,琳琅滿目的日常產品自商鋪延展至起居飲食的室內空間,功能聯結便利及即時的慾望填滿生活,一絲也沒法喘息。

這裡的建設,公共或私有也好,每一台機械敲擊地表,如刺穿皮膚深埋權力的藥。規範提倡的價值成為主流習慣,它正在維護什麼?站在橋頭,拍攝熟悉的;到處可見的;一個個既破落又建設中的場景。佇立於那行人絡繹的橋頭會被注視;待著並放置腳架及攝錄機,途人會依拍攝方向觀看甚或同樣待一待。

敲一敲;跳一跳;還有高橋上的剪影與刺點。